DA CAMERA: TROUBLE IN TAHITI Akademi THEATRE | IN LAND Fern
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SEASON 2013/2014 * THE MET THE CINEMA Cosi fan tutte (Mozart.) - April 26, 2014 Conductor: James Levine; Phillips, Leonard de Niese, Polenzani, Pogossov, Muraro. Stage director: Lesley Koenig. La Cenerentola (Rossini.) - May 10, 2014 Conductor: FabioLuisi; DiDonato, Florez Spagnoli, Corbella, Pisaroni. Stage director: Cesare Lieven.
In =============================== From Fern Land I can not take responsibility for all opinions or comments that people leave beyond the blog. I wish everyone expressed in complete freedom, but I would like as much as possible, do not use a rude or offensive language. In Fern Land aims to be a plural. where all opinions can live together as possible, provided they are respectful and tolerant of other people and ideas expressed. But in any case I reserve the right to restrict the publication of those comments that violate this freedom and tolerance that reigned If anyone would want to use in full or in part any of the contents of this blog, m ' I do like to know. To contact me:
The first thing to say is that these mini festivals and musical seasons organized in Barcelona and throughout the length and breadth of the country require continuity and consolidation, as it is something essential to stimulating the creativity of young artists to be a place in a music scene constrained door knockers uk and concentrated in major seasons, where they have no place to have so much to offer, while also learning and serves as a permanent public gives us the opportunity to meet small-format works that we would never, door knockers uk if we talk about opera as is the case in larger scenarios.
The case of the new Da Camera Festival, which is to take over the missing pocket opera festival has successfully combined two operas attractive enough, Il Segreto di Susanna are as of Ermanno Wolf-Ferrari and the Trouble door knockers uk in Tahiti by Leonard Bernstein, with two recitals and a performance by musical-theater Begoña Alberdi is replenished (12 and 13 April) after the success of the Club Capitol.
I've only been able to attend door knockers uk the last performance and that can only help the organizers and artists for this task, the drive and desire to give these creative musical activity at such adverse door knockers uk projects of cultural, musical and opera in particular. However, the results are, despite this enthusiasm for improvement and try to tell me anyway and be positive.
The program started the Mexican soprano singer Paula Nogueira four songs by Samuel Barber and Leonard Bernstein both cycles, "I door knockers uk Hate Music" and "La Bonne Cuisine (Four recipes)," a short program but showed us acting talent this soprano knows very well intend to give phrases and gestures appropriate something important in the case of songs in a venue so near, where voice, text comprehension and gesture become essential. The songs were performed in English original and a screen at the back of the stage showed the translation to Spanish.
If the songs of Barber showed an intense dramatic ability very interesting song in Bernstein showed a remarkable interpretive eclecticism that ran well contrasting moods, bordering on surrealism had to make sense of the four recipes. Nogueira record door knockers uk in its class with a voice acting very much and perhaps too incisive timbre, but who knows accurately controlled thanks to this ability to interpret the text so intelligent and flexible, something essential when we talk about the always difficult art of lieder.
They offered a tip that it was announced and I did not identify, but which certainly refers to the same Barber and Bernstein, two composers very little in frequent recitals of lieder which tend to be scheduled, so another reason joy to be considered for the overall assessment of the evening.
He accompanied her on the piano beautifully Olga Koberkina, although the sound of the instrument was not exactly the most beautiful imaginable, but this was attributed to his sensitive and musical accompaniment.
Immediately and without pause Troubel represented in Tahiti, the first opera by Leonard Bernstein later v
TUTORIAL FOR DOWNLOADING FILES * If you have problems downloading, joining door knockers uk and decompression of files, I recommend clicking the image below and HELP you have to download the tutorial I have prepared step by step to do it correctly.
SEASON 2013/2014 * THE MET THE CINEMA Cosi fan tutte (Mozart.) - April 26, 2014 Conductor: James Levine; Phillips, Leonard de Niese, Polenzani, Pogossov, Muraro. Stage director: Lesley Koenig. La Cenerentola (Rossini.) - May 10, 2014 Conductor: FabioLuisi; DiDonato, Florez Spagnoli, Corbella, Pisaroni. Stage director: Cesare Lieven.
In =============================== From Fern Land I can not take responsibility for all opinions or comments that people leave beyond the blog. I wish everyone expressed in complete freedom, but I would like as much as possible, do not use a rude or offensive language. In Fern Land aims to be a plural. where all opinions can live together as possible, provided they are respectful and tolerant of other people and ideas expressed. But in any case I reserve the right to restrict the publication of those comments that violate this freedom and tolerance that reigned If anyone would want to use in full or in part any of the contents of this blog, m ' I do like to know. To contact me:
The first thing to say is that these mini festivals and musical seasons organized in Barcelona and throughout the length and breadth of the country require continuity and consolidation, as it is something essential to stimulating the creativity of young artists to be a place in a music scene constrained door knockers uk and concentrated in major seasons, where they have no place to have so much to offer, while also learning and serves as a permanent public gives us the opportunity to meet small-format works that we would never, door knockers uk if we talk about opera as is the case in larger scenarios.
The case of the new Da Camera Festival, which is to take over the missing pocket opera festival has successfully combined two operas attractive enough, Il Segreto di Susanna are as of Ermanno Wolf-Ferrari and the Trouble door knockers uk in Tahiti by Leonard Bernstein, with two recitals and a performance by musical-theater Begoña Alberdi is replenished (12 and 13 April) after the success of the Club Capitol.
I've only been able to attend door knockers uk the last performance and that can only help the organizers and artists for this task, the drive and desire to give these creative musical activity at such adverse door knockers uk projects of cultural, musical and opera in particular. However, the results are, despite this enthusiasm for improvement and try to tell me anyway and be positive.
The program started the Mexican soprano singer Paula Nogueira four songs by Samuel Barber and Leonard Bernstein both cycles, "I door knockers uk Hate Music" and "La Bonne Cuisine (Four recipes)," a short program but showed us acting talent this soprano knows very well intend to give phrases and gestures appropriate something important in the case of songs in a venue so near, where voice, text comprehension and gesture become essential. The songs were performed in English original and a screen at the back of the stage showed the translation to Spanish.
If the songs of Barber showed an intense dramatic ability very interesting song in Bernstein showed a remarkable interpretive eclecticism that ran well contrasting moods, bordering on surrealism had to make sense of the four recipes. Nogueira record door knockers uk in its class with a voice acting very much and perhaps too incisive timbre, but who knows accurately controlled thanks to this ability to interpret the text so intelligent and flexible, something essential when we talk about the always difficult art of lieder.
They offered a tip that it was announced and I did not identify, but which certainly refers to the same Barber and Bernstein, two composers very little in frequent recitals of lieder which tend to be scheduled, so another reason joy to be considered for the overall assessment of the evening.
He accompanied her on the piano beautifully Olga Koberkina, although the sound of the instrument was not exactly the most beautiful imaginable, but this was attributed to his sensitive and musical accompaniment.
Immediately and without pause Troubel represented in Tahiti, the first opera by Leonard Bernstein later v
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