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At the beginning of the film takes a wagon full of ülbikuid-bourgeois after Juan Miranda, who is wi


Italy in 1971; directed by Sergio Leone; Luciano Vincenzo screenwriters, Sergio Donati and Sergio Leone; parts Rod Steiger, James Coburn, Romolo Valli, Rik Battaglia, Antoine Saint-John, Franco Graziosi
Basically, (though very basic, schematic level), similar to the theme of the film as a "tambien la lluvia": pushing its modernity onto each side of the old regime, forcing our technologies and makes the meeting inevitably violent. "Duck, You Sucker" But Leone film, so that the artistic (and, of course, the term) is dramatically different from the current serious drama film, with particular focus on the content and its severity. Leone is a key tool in order to present their argument particularly expressive, expression, appearance, a spectacular crash into the cinema directly to the blanket. And it will bounce must be grandiose, so the viewers eyes and ears huge variety of glow undercut Morricone madman would start to sing to the music itself.
At the beginning of the film takes a wagon full of ülbikuid-bourgeois after Juan Miranda, who is wild, nasty and brutish. Wagon is equipped as a proud interior that shit with intellectual and accept myself. Pride-wealth-bourgeois-desert island in the middle of wildness. But the unsuspecting Snoobi brass doorbell does not know fear that it is a famous brass doorbell bandit, and that they are all about to get naked plundered. The film's motto, "The Revolution has never been peaceful, but always violent", gets its first use. But that is robbery, and revolution in common brass doorbell with each other? You could say, so that when the real revolution is not a sequential narrative intentions (reform, the good life, etc.), little or nothing to do with it is especially evident in the confrontation - it makes no difference which aims crackdown; Revolution brings together one of the events afterwards.
Wagon Mushrooms watching impression brass doorbell that depict the 19th century, that is the beginning of one of the classic western, but when on a motorcycle arrived at a former IRA explosives expert John (Sean) Mallory, things started to foul, with equipment arrived in the mess and began a spectacular black comedy. Comedy at its best, the most nihilistlikumas sense of comedy, which undermines the entire contents offered serious because it is only the contents of an empty spectacle. The military, industrial, powerful, indeed, but still a scam, scam key human history. That, it seems to me, is the attitude of innovative Leone (violent) valitsustehnikatesse (which also includes art, philosophy, etc.), which is quite explicit in its cinema just trying to blow up.
"Duck, You Sucker" is followed by a serious vesternimeistriteosele "Once Upon a Time in the West", and is preceded by a serious maffiasaagale "Once Upon a Time in America", being a rather odd one spacer between the two. The film, however, is closer to (although distant in time), "American" in its flaschbackidega, which is equipped with a sublime-meela-sad music, but this sounds like parodies of nostalgia, the deeper the grounds for departing from the current activity; its spectacular comprehensively, which is trying to grab all the confusion prevailing in the country and even the world-chaos-being. However, unlike the "American" is the total amount of power a little sloppy, which may be intentional, though (hopefully) because there is no doubt that the film is composed by both a masterful picture of where musically. Perhaps it is this "powerful untidiness" (which can achieve very accurate directors) turns the screw after the second thing, and allows brass doorbell you to enjoy the grotesque, childish brass doorbell spectacle, which is a revolution.
This entry was posted on 19 Sep 2011 at 3:07 PM and posted in Drama, Film, James Coburn, comedy, Rod Steiger, Sergio Leone western. You can follow any Responses to this entry through the RSS 2.0 feed.
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